![]() The Center provides a variety of film and video exhibition, education, and information programs primarily directed to the residents of Oregon, Washington, Idaho, Montana, and Alaska. Northwest film study center professional#The Northwest Film Center is a regional media arts resource and service organization founded to encourage the study, appreciation, and utilization of the moving image arts, foster their artistic and professional excellence, and to help create a climate in which they may flourish. Ticket & Pass Info Venues Sponsors Silver Screen Club She is survived by her husband, Andy Larkin, and her two brothers, Bashar and Haydar.Films & Schedule Program Highlights Judge's Awards She was also a lead mentor for the Film Center’s Project Viewfinder, which collaborated with organizations like Outside In and New Avenues for Youth to give Portland’s young homeless the opportunity to share their perspectives through film. “Teaching students film is giving them a voice,” she said of her years of teaching aspiring filmmakers. She worked on projects committed to community media, organic food production, indigenous land rights in Borneo, children, and homeless youths. In her personal life, as in her films, Bushra devoted herself to giving voice to the marginalized and the powerless. She was still making final edits on her film when she became a faculty member at the Northwest Film Study Center.īushra’s other films include No News, her reflection on the events of 9/11 that drew on the long history of cyclical violence her family endured in the Middle East Women of Cyprus, a study of Cypriot women trying to reunify their war-torn island and A Midsummer Night’s Dream in Prison, portraying the production of Shakespeare’s comedies by inmates at the Two Rivers Correctional Institution in Umatilla, Oregon. While making the film, Bushra earned a graduate degree in documentary film production at San Francisco State University. That film, And Woman Wove It in a Basket, won awards at two Native American festivals and was screened at the Museum of Modern Art. She spent five years making a 70-minute documentary that explored the life of contemporary Native American basket weaver Nettie Jackson as well as the documentary process. It opened her eyes to film as another language. She enrolled in a film class at Portland State University taught by Andries Deinum, who had cofounded the school’s Center for the Moving Image in 1969. After writing her thesis, “La Celestina: Mosaics,” she discovered that she was short half a credit. “Even the eastern United States were too close, and I liked the fact that I had to look up Oregon on the map.”īushra’s budding interest in contemporary theatre was met with an insistence on familiarity with Shakespeare, which she had barely read. “I wanted to be as far away as possible from everything I knew,” she said. ![]() She grew up in Lebanon and moved to the United States, where she majored in theatre at Reed. Her own story began with her birth in Mosul, Iraq. “The truth is,” she said, “I’m not interested in technology, but in storytelling.” As a filmmaker, it was not industry shifts from film to video that concerned her. One of the outreach projects she led was in Eddyville, a rural Oregon town, where she had middle-school students interview the oldest members of their families, mining for memories of the place. ![]() Edward Barton Segel ĭocumentary filmmaker Bushra Azzouz taught for decades at Portland’s Northwest Film Center, giving voice to hundreds of aspiring filmmakers. ![]()
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